
I've been consistently amazed at how progressive some of these old films have been. By today's standards, of course, they still have a long way to go. But Cimarron, released in 1931, promotes Native American rights and interracial marriage. I did not see that coming.
When it comes to sexism, on the other hand, we haven't exactly come a long way just yet. Every female character in the movie is either judgmental and bigoted or, in the case of Dixie Lee, a hooker with a heart of gold. (I'm calling "Dixie Lee" as the name of my next pet, by the way.) Yancy Cravat, played by Richard Dix in some truly distracting eyeliner, is the moral compass for the whole town, including his wife Sabra, whose wishes he ignores in order to do the important work...